I recieved some wonderful Zwartbles fibre from Chrissie to experiment with as part of our collaboration, I am IN LOVE with this wool! What I got was a beautiful dark brown fibre and it just felt wonderful to lay it out and work with. Amazingly it did not have anything like the usual shrinkage rate of approx 30% but it did felt down into a beautifully strong and fine piece of fabric and was not spongy at all. This had been a worry for me initially when I realised it was not shrinking much but no fear, it felted brilliantly! I’m not going to post pictures up here yet about what I actually made (keeping that for the book, almost there!) but if you are interested in reading up about this breed and marvelling over some great photos check out the Zwartbles Sheep Association’s website. Off for another spot of writing now, please bear with these sporadic posts with few pictures until at last this collaboration is finished and ready to print!
At the moment it just seems to be a roller coaster ride, organising my American workshops (sorry about the lack of details yet, trying to pin everything down in reverse order time wise!), sorting out my new online store, ploughing through the ever mounting paperwork and housework (on the back boiler yet again!!), attending to my golf club duties (unpaid I might add) and trying to get some time to actually felt and be creative. Spending time felting is the one thing that keeps me sane and although Alan can’t understand why I feel compelled to get into the studio when so many other things need to be done I just would go totally mad if I didn’t get a little time to play around with fibres!
On Saturday morning I drove into Carlow town with Alan as we had a washing machine of his in the back of my truck which needed some repairs, my truck is very handy for hauling stuff around! Anyway, while I was on this mission of mercy I managed to call into a nearby shop for a couple of minutes to check out their t-shirts and have a look at some of the latest summer accessories. I was lucky enough to have the very good fortune of snapping up three stunning printed silk scarves, absolutely perfect for the pictured nuno felt wrap! I laid out short fibred merino and silk fibres on one side of the silk scarf roughly following the colours in the print though not being totally confined by colour at the same time!! It did take me longer than usual to lay out the fibres but I definitely think that the results have been worth the effort, I love the finished colours and texture!
During the course of this week I promise to launch my new online store and this wrap/scarf will be one of the special items I am offering to launch my summer collection!!! Here is a close up shot to show how I followed the colours and shapes printed on the silk when laying out my fibre.
Yesterday I started working on my first larger sculpture of 2010. As mentioned before I have planned various shapes and sizes over the last few weeks but luckily I didn’t have enough laminate underlay (to use as a resist) to start working on something particularly big yesterday! I decided to work on a modified shape born out of the sculpture I made last summer in Denmark and set to making the resist and weighing out the wool. For the type of work that I wanted to create a symmetrical resist shape is best. You cut your shape several times and then stitch the various layers together down the middle line using strong thread. For arguments sake just imagine three circles stitched together down the diameter, if you fanned the resulting semicircles out you would have six sides to create your sculpture with. Next you prepare six dry circles of wool weighing each layer to ensure the felt will be even, then you start laying and wetting your wool flipping the semicircles as you go until all the various surfaces are totally encased. For my piece yesterday I worked on a modified figure of eight lying sideways, the curves on the bottom edge were a bit extended and there was a small protrusion on the outside top edge. It took me a while to prepare the stitched resist and as I was working I decided to remove one of the ‘leaves’ to leave me with a five sided template. I decided to use natural white and apple green Icelandic wool with some green and white silk hankies and throwsters waste to add detail and surface interest. It took several hours to get the resist stitched and the five layers of wool prepared and dry felted lightly to help the fibres come together, these were then stacked like pancakes in preparation for covering the resist and wetting out the wool. To be continued …….. with some pictures!
I have spent a LOT of today making a large felt vessel using some of my new Icelandic wool and thankfully the weather improved enough in the afternoon for photographing so I am at last starting to put it up for sale on Etsy. In order to have less shrinkage than normal I used Anna Gunnersdottir’s method of felting with loads of soap and hardly any water, it takes a bit of getting used to but it definitely seems to work! I used a resist that I had cut out ages ago using my dustbin (garbage can!) for a template and weighed the wool to make sure that both sides had the same amount of wool. The batts are exceptionally easy to lay out, just seperate the bigger pile into layers and then place the wool wherever you want it! I used a gorgeous natural dark brown wool with chestnut highlights for the base of the vessel and white for the upper part to provide a nice bit of contrast. When felting with the cold water it is best to use a liquid soap. I had some Ecover floor cleaner that worked well, it’s a bit harsher on your hands than olive oil soap but not to bad in the overall scheme of things. You need to rub and rub the wool for AGES before you can start any rolling or fulling. Because of the amount of soap you really need to be quite sure with the pinch test (pinch some wool in your fingers and if it lifts up like fabric instead of fibre you can proceed to the next stage) before cutting the hole to remove the resist. Then you need to seal the cut edges of the felt before running your hand inside the package and felting a bit around where the edge of the resist is. Once you are happy that everything is holding well together remove the resist and proceed to full. I still find it absolutely amazing that a pile of loose fluffy fibres can form a strong and structural vessel, it never ceases to fascinate me how simple the process is and how complex the result may be! I used just under 300g for this large vessel, the same amount could easily make 3 smaller ones or a very nice bag.
I have now uploaded some images of the felt vessels that I made for the Blueprint exhibition to my Flickr account. With the exception of one bowl I decided to use all undyed fibres and keep the theme simple and stylish. Probably the vessel that I am most satisfied with is a grey and white bowl with three oval pebbles stitched on as embellishment.
Carmen gave me some raw linen thread to use for the stitching and I must say it does lend to the overall effect. It really reinforces the thought that I have to get a bit more comfortable with a needle, judicious stitching can really enhance the style and feel of an item particularly when the thread has been chosen with care to complement or contrast.
The Clasheen Crafty Swap for Summer is well underway now, currently we have 98 members in our group and the numbers are growing weekly! Swapping is a brilliant way to make friends and swap goodies with partners from all around the world, my most recent and wonderful swap package arrived on Monday afternoon from krobin in the Ravelry Cowl Swap. In this secret swap we had to knit or crochet a cowl for our partner, send yarn and another cowl pattern and also include a few little extras taking into account the likes and dislikes of our swap buddy.
My brilliant package included the hand knitted cowl, 3 crochet hooks, chocolate, yarn, pattern, pretzels, incense, my favourite ginger and orange bath lotion, ginger soap and some tasty chai tea!!! Need I say more, EVERYTHING is me to a tee!
This morning as promised I was able to take a photo of my completed rug! I know that this type of angled shot distorts the shape somewhat but I think that it is quite obvious how the sky area has shrunk more from left to right than the bottom section demonstrating clearly that the way we lay down the fibres makes a huge difference. You should also be able to see how textured the areas are that were left uncovered with the coloured wool, the inside of the leaping animal for example is really crinkly and textured.
Thanks Irene for honouring me with this ‘Creative Blog Award’ !
“For those who bring unique and creative elements to their blogs. For those who incorporate art, music, creative writing, photo’s, and other beautiful visual effects into their website. For those who put a unique spin on things and come up with new ideas. This award is for the artsy, the funky, the inventor, and even the rebel. This award is for those creative individuals who stand out from the crowd.”
The rules are:
1. The winner must copy this Award to their own blog
2. Link to the blog from whence you received the Award
3. Nominate a minimum of 7 other bloggers
4. Link to the nominated on your blog
5. Leave comment about the award on the nominated blogs.
I am really looking forward to my delivery of a special wool from German company Filzrausch . This is the short fibre merino that I saw for the first time with Sigrid and Ingrid Bannier at the workshops in November and what they use for almost all their jewellery making. It is amazingly quick to felt and soft making it very comfortable to wear against the skin. The cost is a bit more expensive that other merino but I am hoping that I will more than make up for this extra cost in the time saved and the scope of the projects that I intend to tackle. Carmen had bought any wool that the sisters had left after the workshops and I got a little bit from her. This afternoon I made some felt beads, a flower, a ball and a piece of flat felt, in all they took me probably a third of the time that I would take normally, amazing! Watch this space, the wool should arrive at the beginning of next week hopefully.
One thing that I didn’t mention yesterday is that when I make prefelts I don’t lay the fibres out anything like as thickly as usual. This is because the prefelt will be cut and laid on top of whatever piece I am working on and I don’t want the felt to end up too thick in those sections. If however, you wanted a very textured piece, a wallhanging for example, maybe you would want the prefelt to be thick and to stand out a little from the rest of the background. Anyway, it is nice to experiment a bit so you will find out what thickness suits your style of work yourselves!