So much to share with you and really not enough time to get everything written down and documented, today I have just had to put felting aside and tie myself to the computer to try and get my diary under control for the next few months!
My biggest news of the day is that I will be paying a return visit to California and Michigan during the month of May and I am just so thrilled and excited to be planning another series of felting workshops with you on that side of the world, watch out, here I come!!!!! Although provisional dates and venues just need to be finally confirmed and I don’t want to jinx anything it looks as if I will be teaching in San Fransisco on Saturday 7th and Sunday 8th May, travelling to an exciting fibre retreat in Downieville for 13th – 16th May and with the wonderful Dawn in Plainwell, Michigan either the last weekend in April or the third weekend in May, I am so excited I can hardly speak, unusual for me as those of you who have already met me can readily attest!!!!! I had such a ball the last time I was over and met so many lovely people, I am really looking forward to renewing acquaintances and meeting more of you, the internet is truly a wonderful place to make contact with fellow fibre addicts! Although I haven’t actually contacted them yet there might be the possibility of putting something together with a fascinating artist and designer in Los Angeles and if any others of you would like to discuss the possibility of me teaching a workshop while I am over please email me to discuss options asap!
My next bit of news is that I start a short residency called CRAFTed this Friday, a learning skills for life project aiming to connect creativity and innovation through craft. It is jointly organised through the Crafts Council of ireland and Kilkenny Education Centre and I have been paired with 6th class at Scoile Mhuire Presentation School in Kilkenny, 32 girls aged 11 and 12. Last Wednesday I met their teached Mairead at a day long training for the project (we had fun!) and we have decided on the working title ‘exploring transition’ to be the theme for our collaboration. This residency follows on from my Craft in the Classroom residency but due to financial constraints and funding restrictions in Ireland at the moment we just have 10 contact hours and 6 hours preparation this time (in addition to the training day obviously). On Friday I will be meeting the girls and showing them some of my work, answering questions, giving a short demonstration of the magic envolved in felting and then we will be discussing and planning how the course of our project will evolve. This class will be leaving at the beginning of the summer and moving to ‘big school’, they will also be making their confirmation during the Spring so ‘exploring change’ seemed an appropriate theme, let’s hope it proves to be so and I haven’t bitten off more than I can chew!
Fibre diva, author and good friend Chrissie Day and I plan on having our collaborative felting book published in time for my upcoming trip to USA!!! This has been long in the planning and I hope worth the wait when we finally get it together and under one cover at last! We both love to felt with similar and different raw materials and the book should be an interesting combination of different styles, techniques, tips and advice, watch this space!!!!! (How many exclamation marks can one blog post cope with?????)
Now on to a brief but fairly comprehensive explanation (at least I hope it will be brief and not bore you!) of the process I went through at the end of last week, as with the white, brown and orange ArtL!nks vessels I decided to work with the design inside for my first mohair vessel experiment. This proved to require more concentration than I had expected; building up the layers of colour and texture in this way and turning the felt inside out near the end of the felting process allowed for the clearest end surface design and least difficulty combining different materials especially around the areas where the fibres met the edge of the resist.
Nubbly textures and surface detail incl. yellow plastic net, red linen fibres, lilac wool neps and rich reflective mohair
Areas where I trapped hard rectangles of previously felted wool under silk chiffon and fibre (to get both design elements and a raised surface texture) plus the places where I added some pieces of yellow plastic netting needed the most brain power but I kept my flat felt experiment to hand and this was a big help in determining how exactly I would lay out my design. Once I had the fibres and fabric laid out against the plastic resist on side one I followed this with a thick layer of loose mohair fibres. As I mentioned before this mohair is a waste product from the weaving industry and as such when Carmen and I get the bags of fluffy, lustrous fibre the colours are both clear and subtly blended, it obviously depends on what fabric the mill has been brushing and what has been previously brushed as to what colours we end up to work with. I choose the pinkest and purpleist (are these words???) blends to lay against the design and once the first side was totally covered I wet it out using a lot of soap, gave it a brief rub and then turned the package over to the other side. Next I continued laying the surface design (working with the laminate floor underlay for a resist allows me to see the shapes and colours from side one through the plastic) before folding over the edges from side one and laying out the mohair on the second side as well. Once that is done (soaped and rubbed lightly) I turned the package over again before laying two even layers of gotland/merino blend on each side. The important thing at this stage is to place a piece of yarn or contrasting fibre on your work wherever you decide you will be cutting into the felt once the felting has occured and the fulling is progressed enough for you to be cutting out your resist. If I don’t do this at this stage I totally forget where the upper and lower surface of my vessels will be, live and learn! I spent a lot of time rubbing lightly on both sides of the package and paid special attention to the edges around the resist, the fibres there need to be nice and snug otherwise you will end up with unwanted ridges when you start to shape the vessel.
Silk and linen fibres on top of woven mohair squares
Once I was happy that the fibres were starting to felt together well I commenced rolling in different directions alternating with rubbing directly on top of the felt using more pressure and friction at this stage. When it looked as if I needed to cut into the felt to relieve the internal pressure (the felt is shrinking and therefore the plastic resist is getting scrunched up inside) I knew where to make the insision because I was careful to keep an eye on that odd coloured bit of yarn which was my marker! I sealed the edges and rubbed carefully around the edge of the resist before turning the package inside out and having a look at what the vessel would finally look like and how the design worked in the round. Finishing the piece was exactly the same as any other sculptural felt, rinsing, rubbing, rolling, banging, shaping etc. until finally I was happy with the result. Because I used a combination of mohair with the gotland/merino blend the vessel is nice and strong sculpturally and definitely should hold it’s shape over time. I like the way the different fibres have blended and mingled although I have to say I pulled off some sequined ribbon (do you remember us buying that Sharon???) once I turned the vessel inside out, a bit blingy for me at the end so it had to go much to Carmen’s delight!
Nicola Brown Fine Art Textiles 