Whew, I was beginning to think that I would NEVER get my largest ArtL!nks vessel felted and fulled!!!!! Over the last week or so I have been giving it a rub and a roll every time I had a spare minute and yesterday afternoon I finally decided enough was enough and decided to declare it finished!
Working any uneven spots on the mohair layer with my felting mouse
I don’t have a lot of time this morning to blog about yesterday (preparing for my session this afternoon with Borris Active Retirement) but thought you might enjoy a couple of photos showing what I was up to at this final stage of shaping the vessel.
You may recall that I laid out this vessel with the intention to have the mohair layer for the outside, as things progressed, I far preferred the inner layer of white merino as I like the subtle colour variations where the mohair fibres have felted through the white. Because of the soft and less structural nature of mohair (as opposed to a vessel felted purely from merino or another fibre) I decided to stiffen the mohair then turn the vessel inside out exposing my favourite side. I think that I will need to leave the vessel dry on the exercise ball for at least a week but hopefully by then the PVA will have dried sufficiently for me to remove the exercise ball and see if this last experiment stiffen has been a success or not!
Sponging on diluted PVA to stiffen prior to turning right side out
My upcoming workshops at Urban Fauna Studio SF, Plainwell MI and Lexington KY are in the last stages of finalising, I hope to have all the details about the various workshops ready by the end of this week!!! I keep forgetting how difficult it is to write workshop descriptions accurately and provide enough information without overloading anyone. I try to be flexible when I am teaching so one title often doesn’t quite do justice to the various techniques that will be shared during the workshop so if anyone has questions once the info is uploaded please shout and I will do my best to answer!
The Mother’s Day Fiber Retreat at Downeville is booking up nicely, Emma (joint owner of The Tin thimble with her mother Sharon) has written a blog post with some links to photos of previous retreats so if you are interested in more information check this out.
As I write this post my current large ArtL!nks vessel is spinning in the washing machine. Today I have been rubbing, rolling and throwing it on top of my kitchen table, it is uncomfortably heavy to handle when wet hence the quick spin to remove some of the excess water! Hopefully it will have shrunk some more by the end of the afternoon, I am really wanting enough shrinkage to make inserting the exercise ball necessary to stretch it into shape before a lot more fulling and finishing. Wish me luck!
My largest ArtL!nks vessel is now underway and I thought I would share this picture with you all, it’s not got the best colour contrast but it does give an idea of the size involved when you see the template beside my washing up bowl and sprinkler!
Putting the vessel size in perspective
Eventually I decided to lay merino on the inside and mohair waste on the outside for this experiment. I do really want to have a large vessel with the chocolate and orange design but for the first one this will be a less costly experiment if anything does go wrong! More pictures of the vessel in progress are going up on Flickr but I don’t know how many I will have time to upload before I have to pack the truck for my session with Borris Active Retirement this afternoon.
I also promised you a couple of pictures of the goodies I scored at Avoca on Saturday, well here they are, one more to follow tomorrow!!!
Almost no words today (truck problems etc. so run out of time) but a detailed picture of my latest felt vessel, this one is 100% mohair and incredibly squishy, soft and tactile. Had friends over for a loooong lunch yesterday and Eileen made the comment that it would make a wonderful nest for a kitten! ‘Till tomorrow ……………….
You know the saying ‘less is more’ but do you think that the opposite holds and would it be possible to say that ‘more is less’ at times as well??? If ever this were the case the experiments I have been felting this week incorporating mohair might hold true to that principle, I am inclined to have a sneaking liking for them while Carmen is quite unreserved in her horror!
Before I start to talk about these pieces let me say that I have also felted a white Icelandic wool and silk vessel (great as a lampshade!) which I have stiffened on the inside with lightly diluted PVA glue. Success!!!
Thin felt vessel stiffened on the inside with PVA
I used the same template as the medium sized white, brown and orange vessel from earlier in the course of this ArtL!nks project but only laid out two fine layers of wool and a large silk cap covering nearly both sides of the template. Because I wanted to see how the glue would work I just rubbed and rolled the vessel until it was felting together without obvious seams at the edge of the resist and then turned it inside out, inflated a balloon inside and sponged on the diluted PVA to the surface. My idea in trying this method was that while the PVA would strengthen the vessel it would not be totally absorbed by the felt and therefore once I turned the piece right side out to dry I should still have a ‘felterly’ texture to the surface of the felt, in addition to this it would obviously be larger than the firmly felted pieces using the same sized template. Once the glue was sponged on I turned the felt right side out again and inflated another balloon inside before hanging the lot from my ceiling to air dry. Yesterday afternoon I burst the balloon and even though the outside appeared totally dry the inside was still damp at the bottom. By this afternoon however the whole vessel is quite dry and in fact it is incredibly light and almost got blown away in the light breeze when I was trying to photograph it. The silk cap was a waste of time, possibly because the Icelandic wool is coarser than the merino but I was expecting some nice white on white texture and to be honest it almost looks like a glob of glue on the surface! Other than that the felt feels pretty good on the surface and when I hold the vessel up to the light is looks wonderful as a lightshade, more possibilities with this one, maybe using the yoga ball as my template. On Monday the LARGE vessel will start, procrastination ends here as I have now invested in a more expensive yoga ball complete with stronger pump, no excuses now to get the damn thing inflated!!!
Now, on to my ‘more is less’ experimenting. Carmen is always great at sharing any unusual materials she gets with me and recently we were lucky enough to get some large bags of ‘what I am now calling mohair waste which came as big clouds of fibre kind of like an unstructured batt, probably there is a proper name for it but hopefully you can follow my drift! This waste is the fibre removed in the process at woolen mills when woven and washed mohair is brushed to raise the surface creating not surprisingly ‘brushed mohair’ fabric. Part of my ArtL!nks work involves expetimenting with surface detail and although these pieces are totally off the wall as far as my other work is concerned I did have great fun playing around with these. I need a window of a couple days solid felting to complete my LARGE vessels and that is not going to occur until next week starts because I just haven’t had the space/time balance right this one!
Plenty of colour and texture going on here!
Neither of us has ever felted with 100% mohair before so my first piece was a glorious riot of colour and texture which until I started to felt I had no idea if it would be successful or not. Inspired by Robin Blakney Carson from Luckystone Feltworks I wanted to see what the result would be of adding oodles of various embellishments to the surface of the lustrous fibre, this mohair has an amazing sheen. Now I am not for one minute suggesting that my experiments reach anything like the standard of Robin’s students work (they bead, slash, embellish and stitch into their felt as I had the pleasure of seeing at Robin’s workshops in Rhinebeck) but it was fun to just throw caution to the wind and play around with oodles of different materials and fibres and see how they would all combine with the mohair! Unfortunately I have run out of time now but you can check my Flickr photos for more details (some notes about the materials on this picture) and to see the vessel I felted from mohair with a gotland/merino lining, info to follow next post! Tweet
Continuing with the theme of sculptural felt for my ArtL!nks work, this weekend I played around with surface embellishment. Between Friday afternoon and Sunday night I felted one small vessel incorporating a plastic net (the net that my clemintines came in) at the lay out stage and another medium sized one with leather and seed bead embellishments, these I stitched to the vessel prior to the final drying and shaping. An email from Connie in relation to beading felt prompted me to create the stitched piece, I need to collect another roll of laminate floor underlay and 50m bubble wrap in Kilkenny on Wednesday so until then I can’t start on my largest vessel, playing around with surface design and starting to experiment with stiffeners and fabric paint seemed like a good way of continuing the project while having fun at the same time!
Little leather leaves, seed beads, white vessel and sewing tools
The idea for adding the leather leaves and seed beads was inspired by a purse I saw in one of the Stampington magazines, I will explore my untidy studio and upload the name as soon as I get my hands on the magazine! Because I made the vessel in pure white without any prefelt cutouts it was nice just to concentrate on the form and enjoy feeling the wool felting under my hands. Once the vessel was felted and shaped I started to stitch the little leather shapes around the brim. Felt is a wonderful medium to stitch into (if the felt is thick enough and not paper thin) because for most sewing projects it is possible to hide any thread ends and loose ends within the fabric thus leaving a totally clean reverse to the stitched side.
Stitching on the first leaf
It didn’t actually take as long as I anticipated to stitch on the leaves and now the vessel has a balloon inside it once more to keep it in shape until it is 100% dry, I will post a photo as soon as this is last stage is completed.
The other sculpture/vessel entailed stretching a plastic orange net around my resist, laying three layers of brown merino on top of this followed by one layer of yellow fibre. I didn’t trap the netting at all and hoped that the torn edges in some spots would add the the surface interest, the plastic incorporated well but I am not totally sure if I am happy with the colour combination and design now it is drying, possible less plastic would have been more in this little sample!
Little plastic orange net and merino sculpture/vessel
This morning I have created and stiffened a medium sized vessel using Icelandic wool, loads of soap and cold water a la Anna Gunnarsdottier. More about this vessel next post, stiffeners again and tools we all use for fulling our felt. Thanks for all your comments to date re stiffeners, much appreciated!
Thanks for all your comments re. the yoga ball, I am now wondering if my new ball has a puncture somewhere so I need to try and inflate Cathy’s with the foot pump before I go into total breakdown mode!
It is FREEZING at Clasheen this morning, still well below zero degrees and most of my windows have ice on the inside even though it is now almost lunchtime here. I did manage to take a photo of my latest ArtL!nks piece out on the wall just to give you an idea of how much it has shrunk and also how it looks in relation to two of the previous vessels.
Vessels increasing in diameter
The balloon is still inside until it totally dries out and as I said previously I am not 100% happy with the end result (not the nicest design and definitely not quite the shape I was looking for) but I suppose it is fruitless to expect that each piece will turn out exactly as I want and hopefully my next piece will be more pleasing to the eye. I measured the diameter of my initial resist at 56cms (a couple of cms bigger than my dustbin lid) and the final measurement at 31cms therefore if I have done my online percentages correctly that is a shrinkage rate of 55.37%! Without a larger balloon to put pressure on the inside of the vessel I found it impossible to shrink the felt further although I do feel that there might be some more potential to decrease in size I just don’t seem to be able to achieve it myself. Once I burst the balloon I will see how stable the felt is and how the shape holds when dry, because the felt is quite thick (as are the first smaller successful vessels) I am hopeful that all will be well.
One of the vessels I am intending to stiffen with wooden floor varnish (Anna Gunnarsdottier uses this for her hugh felt sculptures) and see how it weathers the elements outside. Will it hold water (Anna would say yes!), will it discolour, how will I secure it in the garden? Obviously unless I add some form of stiffening aid just leaving one of the vessels as is and putting it outside would probably mean that after the first heavy rain the shape would start to distort because the form is hollow. We get a LOT of rain here in this neck of the woods and while I love outdoor installations made in felt which weather subtly with time for these vessels the shape is all important to me.
I have tried PVA glue to stiffen some buttons/jewellery early in my felting days and found that when used neat it TOTALLY altered the feel of the felt, you would need an angle grinder to cut into it! Probably if I had diluted it 50/50 with water things would have been fine but as it was the texture was horrible and it was a long time before I ventured into the stiffening game again. My next and only other attempts were to stiffen two felt sculptures I made, one during an Anna Gunnarsdottier workshop and one directly afterwards when I returned home to Clasheen. As far as I remember I allowed the sculptures to dry totally in shape before re-wetting and squeezing out the excess water. Next I plunged them back into a basin of PVA or wooden floor varnish (without fungiside) and worked the medium thoroughly into the felt before squeezing and reshaping. In both cases I stuffed the drying felt with bubble wrap and while they definitely will never shift in shape again I am not totally sure that I like the finished effect! Unless you actually touch the felt it does appear to be ‘normal’ but that seems to make the sensory experience even more surreal as soon as you discover it feels totally unlike a tactile fabric under your hand.
Anyway, I have been following all your comments with interest making note of what other felters and textile artists have tried as stiffeners so thanks a million for sharing your thoughts everyone! This list is just the tip of the iceberg when it comes to this topic I suspect but some of the most common mediums used to stiffen felt artificially are …..
Wooden floor varnish
GAC400 from Golden (American)
Acrylic floor polish
In all cases I think it is possible to use these undiluted or diluted and this will have a big bearing on the end result achieved. My friend Nancy Schwab has painted some of her vessels with a 50/50 mixture of textile paint and water which also acts as a stiffener, has anyone else tried this out and if so what paints do you use? Have you any tips and advice to share with us by leaving a comment? All info gratefully recieved!!!