Being inspired by Dagmar’s fine art wall hangings on exhibition in Odense, Denmark during ‘Felt in Focus’ 2009 I swore then that I’d take a workshop of hers when this was one of the projects that would be offered for participants to explore.
Thanks to US friend Susan (who didn’t manage to get into Dagmar’s 2 day Irish workshop!) who alerted me to the 6 day masterclass at Big Cat Textiles, I booked asap and in turn alerted our mutual US friend Merridee, the die was cast and the three of us all had a marvellous time!!! I knew before I headed to Scotland that I wanted to make my wall hanging in natural white with various undyed fibres for the surface decoration, this left me free to make decisions about what attachments to add and how I wanted the piece to appear structurally after I had time to mull over all the different options. The soya, silk, linen, milk protein and sea cell fibres that I used on the surface gave a nice tone on tone effect and opting for a simple style meant that I was free to try a complimentary vessel with a spiral attachment on day four.
Working with an open rather than a closed resist for my vessel was a eureka moment for me!!! Strange isn’t it? Dawn uses this method almost always for her beautiful hats and it never once occurred to me to do so for a vessel. It’s a hang over from reading somewhere (a beginners felting book I think, early in the days) that it was always preferrable to totally cover the template, something to do with the pressure the edges are put under during the felting process. Well anyway, chatting to Dagmar and actually trying an open sided resist has totally changed my perspective on how I’ll felt vessels in the future, I loved the way I could manipulate the shape and the quality of the open edges was very uniform and smooth! I’m not saying that I’ll always use this method but I can now see my way clearly to felting some vessels that I’ve been itching to try but to date have only existed in my imagination, watch this space. Finishing my vessel by the time day four’s advertised time was up meant that I had several hours free that evening to measure myself (with help obviously!) and work out how large I needed my template to be for the sleeveless vest with attachments that were scheduled to be felted during the fifth and sixth days of this marvelous workshop. I’ll leave you with a picture of the finished vessel, note the subtle colour and texture from soya fibre inside the neck. Next time, the vest.