American workshops – a guide to the raw materials required by participants!

My flights are booked, new linen trousers purchased and I am SO excited now about my upcoming workshops in America, meeting old friends, making new ones and simply having the best of fun with like minded fibre nuts!!!  From 13th to 16th May I will be participating and teaching at The Tin Thimble’s wonderful Mother’s Day Fiber Retreat, on Friday 20th and Saturday 21st May I will be with my amazing friend Dawn for two days of workshops in Plainwell, MI and then on Friday 27th and Saturday 28th May I will be meeting and staying with online fibre friend Jan Durham and facilitating two days of workshops in Lexington KY, how fantastic is that for an adgenda???  

On the Friday participants in both MI and in KY have the option of taking a workshop titled ‘Simple vessels, purses and other three dimensional objects incorporating found objects’ and on the Saturday a workshop titled ‘Nuno mosaic and other interesting possibilities for wearable felt accessories’.  Participants attending both workshops have the option of designing and felting larger and more complex vessels, bags, sculptural items, bigger nuno projects or indeed an art piece for the wall.  As a result I have been toying with the correct materials list to publish for each workshop, eventually I have decided to provide a ‘minimum fabric and fibre requirement’ list for some of the projects participants may want to make and hopefully this will cover most potential eventualities!  In this way each individual participant will decide for themselves what exactly they want to make and what materials then need to bring with them at a minimum,. I know from personal experience that I can never bring too much fibre and embellishment items with me when I attend any workshop so limiting myself can be a challenge, it may also bring unexpected rewards at times!!!  Each participant will need to bring their usual felting equipment, bubble wrap, towels (please bring a few!), hard olive oil/goats milk/glycerine soap, sprinkler, bamboo blind, pool noodle, net, whatever they like to work with themselves.  Anyone felting a bag, vessel or any sort of three dimensional project will need some flexible plastic to use as a template/resist, I prefer laminate floor underlay but in an emergency we can use bubble wrap or whatever flexible plastic you have to hand.  For participants felting nuno mosaic or large nuno wraps it is really best to have two long lengths of bubble wrap bigger than the starting size of the silk used, plastic trash can liners are OK too in an emergency so if you have a roll of them please just bring them along!  NB I love working with batts but roving and tops are perfect too, bring whatever you have and like to work with yourself.  I will also be bringing loads of embellishments, inclusions, leather off cuts and artificial glittery fabrics with me for everyone to share as well as some of the mohair waste which I am currently experimenting with in some of my three dimensional work!  Enough of the waffle, hopefully the following will be a guideline and I am always happy to answer any questions directly so please feel free to email me if you have a major concern …….

Clutch bag, vessel, iPad cover and smaller three dimensional items will need 80 – 150g of fibre.

Larger and more complex bags will need 200 – 350g fibre, I like this to be divided into 2/3 merino and 1/3 a strong coarser fibre such as C1 or Icelandic wool.

A nuno scarf will need either a pre rolled silk chiffon or ponge silk scarf as a base, a long length of silk cut from a roll or alternatively a cotton cheesecloth or muslin length, the longer the better in all cases!  This project won’t need anything like a big amount of fibre but at a rough guide anything between 40 – 60g will be fine for a highly textured end result!

A large nuno wrap (two day project!) will need 2 – 3 m (yards is fine) silk chiffon, ponge silk, cheesecloth or muslin for the base and 40 – 100g good quality merino depending on size.

A mosaic nuno scarf will need a total minimum of 1m silk chiffon but this needs to be in at least 3 colours ie. 1/3m from a roll of three different colours, adding a small amount of a clashing colour can work wonders!  Incorporating vintage scarves into nuno mosaic is wonderfully effective and a beautiful way of bringing old fabrics back to new life, to see what I mean check out Marni’s wonderful scarf from last year’s Tin Thimble workshop, isn’t it beautiful?  These scarves will also need over 100g good quality merino preferrably in two colours.

A large nuno mosaic wrap will need 2 – 3m silk fabric in mixed colours and a total of up to or over 200g good quality merino, again two colours of fibre is ideal.

As you can imagine different projects require different techniques and heaviness of hand when laying out the fibre.  The figures above are a minimum guideline, I don’t want anyone to feel pressurised to buy more fabric or fibre than they may realistically need but to be honest where felting is concerned, can one ever have enough fibre or raw materials???

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3 thoughts on “American workshops – a guide to the raw materials required by participants!

  1. Hi, Nicola,
    In the mosaic section you mention clashing colors. In rug hooking they call that “poison”. You are so right, a tiny bit of poison can really make something wonderful.
    Elizabeth

  2. Sounds fab. Have a wonderful time. If you don’t mind, I shall pretend that I am going with you.

    You want the window or the aisle seat?

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