I always have a fantastic time when I participate in felting workshops with visiting international artists and my wonderful long weekend at Carmen’s studying with Hungarian felter Vanda Robert was definitely one of my highlights from 2010. As per usual, when I am a bit apprehensive about the content of a class the reality is always better than the imagining and because Vanda’s bag workshop included a LOT of stitching you can imagine how nervous that made me before the event! Carmen had almost tried to stop me attending because she knew I wanted to support her in bringing Vanda over but she also knew how stitching makes me break out in a cold sweat. The fact that the three days included the day of the golf club Captain’s Dance didn’t help either but nothing would have stopped me attending and boy am I glad I did!
To start the workshop everyone looked at some of Vanda’s gorgeous bags, oohed and aahed over her relief stitching (there were also a couple of books with photos to browse through) while she explained the basics and showed us how she likes to lay out her wool batts to create thick, even and firm felt. We then choose our colours and started to lay out 10 to 12 light and even layers directly onto plastic or else onto bubble wrap. I have always wanted to create a piece of felt using Rathgeeran Rock Art (a stunning local bronze age rock) as my inspiration and was delighted to see some black merino, silvery grey merino and grey gotland which I thought would be perfect for my bag. The idea in general is to felt a thick but even piece of fabric, preferrably double sided and then cut to shape, reverse some pieces exposing the complimentary colour before stitching the design in relief (amazing stuff here!) and assembling to whole with tiny invisable stitches before adding a handle and possibly a cord edging or fancy stitching around the top.
First off I created a grey prefelt using three layers of the gotland which I cut into rounds to echo the circles from the rock art. These were then laid down directly onto my bubble wrap and filled in with three layers of black merino before surrounding the design with three layers of black merino also. I then laid 4 more layers of black this time covering the whole rectangle, two layers of gotland and finished with a layer of the silvery grey merino. If you look carefully at the picture above you can see my ten layers laid out and also see that Chris who was working beside me had started to wet out and soap her bundle, half of hers is really high and half is already wet. Once we had the layers fully wet we just felted as per normal until the wool had shrunk by about a third and the resultant felt was thick, firm and flat. Some people rubbed the surface of their felt to smooth out any imperfections and dimples but I had brought my ridged fridge liner with me and it proved excellent for rolling the felt on and getting a nice even texture. At this stage the first day was finished and we all retired home to dry our felt, I had the dance to get to and evening wear to don!
Day two saw us cutting out the picecs for our bags and then Vanda gave us a demonstration of the stitches used and we all had a go with some samples. I can’t stress enough how I would urge you to attend one of her workshops because it is in the stitching that the relief is achieved and obviously that is not something I will be trying to explain here. Suffice to say you can use wool, cotton or linen thread and depending on where you insert and remove your needle through the felt and at what angle you do so the stitches may be straight or when pulled cause depressions or elevations in the felt, just INCREDIBLE!!! Initially I had wanted to elevate all my silvery grey ovals but that proved a step too far for me (surprise, surprise!) as in order to do so I would have needed more space between the discs so with Vanda’s help I re-thought and decided to elevate some of the black spaces instead.
To be cont …..