Yesterday morning I collected Sigrid Bannier from the airport and we spent a couple of happy hours in Ikea! For those of you from other continents Ikea is an excellent Scandinavian company, simple design and good prices who just opened their first Irish store in Dublin this Monday, perfect for our felting workshops next week as they have a fantastic selection of lights and components. We got a great selection of different designs all ready to deconstruct, these will form the basis of the working components of our lightshades, now all we need is the know how from Sigrid and the inspitation from ourselves!!
The second felt workshop that I participated in at ‘Felt in Focus’ was fairly large felt sculptures with Anna Gunnarsdottir from Iceland. This was a brilliant experience and taught me a totally new way of looking at resists! As with Lyda’s complex bag workshop I am going to cover what we did over several posts and this is also a good way for me to revisit all that I learnt over the 2 days. (Please bear with me as I am having computer problems, it keeps closing and I think that I need to get it ‘attended’ to by an expert or else I will go potty!)
Anna’s large sculptural pieces are amazing and it was very exciting to learn the technique of felting large objects, my head is now full of shapes and I am just waiting for the arrival of Icelandic wool to really go crazy experimenting at home. Once everyone had introduced themselves and explained what they hoped to get out of the workshop Anna explained and demonstrated how she stitches layers of plastic resist together to form the template for her felt objects. I was lucky that reknowned Irish felter Elizabeth Bonner had participated in the first workshop so I had the advantage of watching her work progress and learn from any observations and tips. The biggest help to me was knowing that creating a symmetrical template was easiest and then stitching straight up the central line as opposed to joining the layers with a curved line would be the simplest option. Anna encouraged everyone to think outside the box when deciding on our shape and I although I had toyed with the idea of using my backpack template this proved too large to deal with in the two days allocated. My choice therefore was a bit like a rounded figure of eight on it’s side, complete with two bumps on each surface that I intended embellishing with horse hair. This workshop was also a great opportunity to experiment with new fibres and fishskin. Anna had a great selection of horse hair and dyed salmon, wolf fish and cod skin, other participants had brought raw fleece and various found objects to play around with. To be cont …. including pictures of my template and work in progress!
Before I left Denmark to travel home to Ireland I borrowed Holly’s computer and set up a Flickr group for ‘Felt in Focus’. The idea for this is that the participants and organisers can share photos and continue friendships by participating in the discussion board through the group. Why not have a look at the photos for yourself to get a flavour of what the various workshops had to offer? I emailed the organisers today and hopefully they will be forwarding the info about the new group on to everyone who attended and over the next few weeks we should see a lot more images of work in progress and the finished items!
Sigrid arrives on Thursday and I am looking forward to catching up and learning from her again! There are still a couple of places available for the nuno mosaic workshop on 5th, incorporating found objects into your felt on 6th and the lampshade 2-day workshop on 7th and 8th August. Please contact me if you are interested in attending, all materials are provided and fun is guaranteed!
Here is an image of the completed neck wrap made using the large bubble wrap and the rainbow coloured merino sliver. I like the textured effect, it almost looks like a collection of flowers wrapped around your neck. For anyone wanting to try this out it takes a LOT of time laying out the wool, in my case I used sliver so didn’t have to divide tops but even so a piece this small took over 2 hours to lay out. You need to cover the wetted out wool with thin plastic before you start the rolling process, I used a black refuse sack that I had to hand. Roll and felt as normal but do take time at the beginning of the process, too rough at this stage and the whole thing may just disintegrate! You will notice when the wool is holding together and just seems to want to slip off the large bubbles, at this stage you can work directly on a bamboo blind or similar and just continue until you are happy with the finished piece.
I decided not to attend the optional evening talk which was organised on day one of Lyda Rump’s workshop as I really wanted to get started laying out my backpack. The resist had been cut out of laminate floor underlay as usual and I started by rolling the handle and also the dreadlocks to attach to the bottom of the bag and to use as a closure. The ends of the handle and the dreadlocks were left dry so as to make it easier for them to felt into the middle of the bag when I added them at layer two. It took me 40 minutes of pondering before I realised how to go about laying out my inside pocket and then I laid out one layer of the bag as well before calling it a night. At breakfast the next morning fellow Irish felter Maureen Cromer pointed out that the way I had positioned the pocket was not how Lyda had explained the day before so so much for all my efforts that evening! I had a word with Lyda at the beginning of day two and although my way would have worked I decided to start again as I really wanted to learn the simplest and most efficient method, that was why I was there!! Lyda places the bag template on the working surface, covers it with the bubble wrap, lays the full 3 layers of the pocket, positions the pocket resist on top of it, lays the first layer of the back of the bag and then removes the resist from under the bubble wrap and places it on top of the layer of wool. Then she folds over the wool around the edge of the resist and lays out the first layer on the other side of the bag. Try it with a piece of paper on your table, it works and is a simple way of positioning the pocket in the correct place internally. The glass nuggets and the bag straps were lightly needled in after layer 2 (this was C1 wool) and then the final layer of merino with it’s silk and gauze surface decoration was laid. To skip to the completion of the bag, I rolled, re-wet with hot water, rolled and rolled again to fully finish the felting process and ensure that the backpack was as tough and rugged as possible without loosing the integrity of the beautiful merino, silk and gauze finish. When I was sure that the package was shrinking and holding together as per usual I cut out the resist and at the very end I cut a tiny cross on top of the glass nuggets and then worked the area with my fingernail to widen the opening and expose the glass. The final technique was to shave the surface of the bag like Mehmet Girgic does with his rugs and this leaves a beautiful finish allowing all the fabrics, fibres and glass to be shown to the best advantage. Because I really worked hard on fulling my backpack the finished bag has handles that actually have shrunk more than I intended. As I am tall the bag now sits very high on my back so for the moment I am wearing it as a shoulder bag until I make extension loops to add to the ends of the straps! Holly Angle took some good quality photos of the bag so as soon as I get them via email I will post them here and to Flickr.
To answer a question about working with glass nuggets or indeed stones or other found objects in felt, Lyda uses a great method to ensure that they stay in position. Previously I have felted with glass but found that it tended to move within the felt layers therefore I could never quite predict what the end result would look like. Lyda’s method for the bags was to lay out and wet layer one, lay out and wet layer two, position the glass nuggets, cover them with a wad of dry wool from layer two and then needle the dry wool into the wet layer to secure the glas in position. Then you lay out layer three, wet and felt as normal. This works like magic! Tomorrow I will continue to write about the progress of my felt backpack but for now I just want to update you all about Sigrid Bannier’s workshops and let everyone in South Eastern Ireland know about a sustainable feltival where I will be teaching felting workshops at next weekend.
Sigrid’s workshops are filling up nicely but there are still spaces available on any of the days from Wednesday 5th until Sunday 9th August. We have been chatting by email and Sigrid is very flexible, if anyone is interested in a specific workshop but not available on the advertised day just let me know and we will be able to fit you in with your chosen topic on one of the other dates! Check out some great images on the gallery pages of Sigrid’s new website, if you click on any of the images a slide show will start.
This weekend sees the first running of a new sustainable festival called Seanchas which takes place near Adamstown, Co. Wexford from Friday 24th to Sunday 26th July. I will be facilitating the adult felting workshops on Saturday and Sunday, you can check out all the info about the festival and the great activities on offer via the website.
I know that you have already seen an image of my first sample but here is a close up so hopefully you will be able to follow what I am talking about!
With this sample I laid out the wool a lot thinner than in my first piece (everyone else’s work was much thinner than mine in sample 1) so it felted quicker but Lyda said to stick with how I usually worked and to lay it as per my first sample. I loved the effect of the pongee silk against the merino so with a happy heart started to lay out my backpack! To be continued …..